Review of Cesare Pavese e la letteratura americana: una «splendida monotonia»

Review | অংশগ্রহণকারী(রা): Carmine G. Di Biase

Review of Una bellissima coppia discorde: il carteggio tra Cesare Pavese e Bianca Garufi (1945-1950)

Review | অংশগ্রহণকারী(রা): Shirley Ann Smith

Review of Se questo è un uomo

Review | অংশগ্রহণকারী(রা): Franco Baldasso

Review of In the Name of Italy: Nation, Family and Patriotism in a Fascist Court

Review | অংশগ্রহণকারী(রা): Corrado Federici

Review of Sarà un bellissimo numero. Carteggio 1948-1959

Review | অংশগ্রহণকারী(রা): Rachele Longo Lavorato

Review of Corporeal Bonds. The Daughter-Mother Relationship in Twentieth-Century Italian Women’s Writing

Review | অংশগ্রহণকারী(রা): Shirley Ann Smith

Review of Popular Italian Cinema. Culture and Politics in a Postwar Society

Review | অংশগ্রহণকারী(রা): Sarah Carey

Review of Per Peppino De Filippo attore e autore

Review | অংশগ্রহণকারী(রা): Annalisa Castellitti

Review of Ianuam linguarum reserare. Saggi in onore di Bona Cambiaghi

Review | অংশগ্রহণকারী(রা): Franco Pierno

Review of Teoria e tecnica della traduzione. Strategie, testi e contesti

Review | অংশগ্রহণকারী(রা): Jana Vizmuller-Zocco

Review of Oltreoceano. Rivisite sulle migrazioni. Special issue: “L’autotraduzione nelle letterature migrant”

Review | অংশগ্রহণকারী(রা): Anthony Julian Tamburri

Review of Buine fortune: L’emigrazione friulana nel secondo dopoguerra

Review | অংশগ্রহণকারী(রা): Caroline Di Cocco

Review of Il giardiniere contro il becchino. Memoria e (ri)scoperta di Antonio Porta

Review | অংশগ্রহণকারী(রা): Beppe Cavatorta

Review of Frammenti di memoria

Review | অংশগ্রহণকারী(রা): Paolo Chirumbolo

Review of Le carnaval verbal de Ascanio Celestini. Traduire le théâtre de narration

Review | অংশগ্রহণকারী(রা): Cristina Caracchini

Review of Imparare da adulti, insegnare ad adulti le lingue

Review | অংশগ্রহণকারী(রা): Jacqueline Samperi Mangan

Introduction

Article | অংশগ্রহণকারী(রা): Patrizia Bettella

Children in Fascist Regime Cinema: The Case of Luigi Ballerini’s La Fuggitiva (1941)

Article | অংশগ্রহণকারী(রা): Patrizia Bettella

After a sustained presence in silent movies, children almost vanish in Fascist cinema, which was dominated by the light comedies of the white telephones—a fact that clashes with the regime’s promotion of large families, population increase and the valorization of motherhood. Children begin to...

Bambini infelici e famiglie infrante nel cinema di regime

Article | অংশগ্রহণকারী(রা): Meris Nicoletto

Il saggio focalizza la sua attenzione sul tema dell’adulterio femminile, considerato argomento tabù dalla censura e dalla propaganda fascista, e sulle ripercussioni che esso provoca sui figli. Piccola mia di Eugenio De Liguoro e Il canale degli angeli di Francesco Pasinetti, pellicole uscite a...

“Cerchiamo un bambino distinto”. La genesi di Bellissima nei soggetti di Cesare Zavattini

Article | অংশগ্রহণকারী(রা): Cristina Jandelli

This contribution investigates, from a philological-historical perspective, the different versions of texts by Cesare Zavattini that will later merge into the subject of “Bellissima”, the film directed in 1951 by Luchino Visconti, starring Anna Magnani. Through a crucial decade for Italian...