Review of Postal Culture. Writing and Reading Letters in Post-Unification Italy

Review | অংশগ্রহণকারী(রা): Anne Urbancic

Review of Fra Sud ed Europa. Studi sul Novecento letterario italiano

Review | অংশগ্রহণকারী(রা): Corrado Federici

Review of The Food Industries of Europe in the Nineteenth and Twentieth Centuries

Review | অংশগ্রহণকারী(রা): Daniele De Feo

Review of Fictions of Appetite. Alimentary Discourses in Italian Modernist Literature

Review | অংশগ্রহণকারী(রা): Letizia Tesi

Review of Hospital Series

Review | অংশগ্রহণকারী(রা): Elisabetta Properzi Nelsen

Review of Il Convegno Volta sul teatro drammatico. Roma 1934. Un evento culturale nell’età dei totalitarismi

Review | অংশগ্রহণকারী(রা): Giuliana Sanguinetti Katz

Review of Donne nel cinema di regime fra tradizione e modernità

Review | অংশগ্রহণকারী(রা): Franco Gallippi

Review of Landscapes in Between: Environmental Change in Modern Italian Literature and Film

Review | অংশগ্রহণকারী(রা): Christina Vani

Review of Scrivere contro. Viaggio nella narrativa sperimentale del XX secolo

Review | অংশগ্রহণকারী(রা): Federica Santini

Review of The Crisis of Modernity

Review | অংশগ্রহণকারী(রা): Claudio Clivio

Review of Enlightening Encounters. Photography in Italian Literature

Review | অংশগ্রহণকারী(রা): Giuliana Sanguinetti Katz

Review of Unfinished Business. Screening the Italian Mafia in the New Millennium

Review | অংশগ্রহণকারী(রা): Flavia Laviosa

Review of Scuola di Formazione di Italiano Lingua Seconda / Straniera competenze d’uso e integrazione.

Review | অংশগ্রহণকারী(রা): Gabriella Colussi Arthur

Guido Pugliese (1940–2016): In Memoriam

Article | অংশগ্রহণকারী(রা): Sandra Parmegiani

Introduction: Hybridity in Giallo: The Fruitful Marriage between Italian Crime Fiction and Theatre, Literary Geographies, and Historical and Literary Fiction

Article | অংশগ্রহণকারী(রা): Brigid Maher, Barbara Pezzotti

Spunti per un’analisi del processo di ibridismo tra l’hard-boiled americano e il giallo italiano nella serie Duca Lamberti di Giorgio Scerbanenco

Article | অংশগ্রহণকারী(রা): Marco Paoli

Nelle opere di Giorgio Scerbanenco il giallo ha quasi sempre avuto un ruolo prominente che tuttavia ha lasciato spazio a una vasta possibilità di intrecci con forme stilistiche, tematiche e narrative di varia natura. Uno dei principali riconoscimenti che fanno di Scerbanenco uno dei padri...

Female Detectives in 1950s Salesian Educational Theatre

Article | অংশগ্রহণকারী(রা): Daniela Cavallaro

This article considers a little-known type of gialli: those staged by all-women casts in educational theatre performances in Italy between the early 1940s and the early 1960s. It shows how the Salesian priests and sisters who authored educational gialli focused not so much on identifying and...

Narratives of Murder and Knowledge: Pellegrino Artusi and Dante Alighieri as Sleuths

Article | অংশগ্রহণকারী(রা): Mirna Cicioni

Using McHale’s notions of “epistemological” and “ontological” dominants, this article analyzes three historical crime novels that have real historical characters as their protagonist: Marco Malvaldi’s Odore di chiuso (2011), featuring Pellegrino Artusi as the detective, and Giulio Leoni’s I...

Il giallo in colonia: Italian Post-Imperial Crime Novels

Article | অংশগ্রহণকারী(রা): Luciana D’Arcangeli, Laura Lori

This article analyzes several crime stories set during Italian imperial history, in particular Andrea Camilleri’s La presa di Macallè (2003) and Il nipote del Negus (2010); Carlo Lucarelli’s L’ottava vibrazione (2008) and Albergo Italia (2014); and Giorgio Ballario’s Morire è un attimo (2008) and...

“I am Just a Policeman”: The Case of Carlo Lucarelli’s and Maurizio de Giovanni’s Historical Crime Novels Set during Fascism

Article | অংশগ্রহণকারী(রা): Barbara Pezzotti

This article analyzes two successful Italian novels set during the Ventennio and the Second World War, namely Carlo Lucarelli’s Carta bianca (1990) and Maurizio De Giovanni’s Per mano mia (2011). It shows how Lucarelli confronts the troubling adherence to Fascism through a novel in which...