Review of In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Contexts for Women’s Writing

Review | অংশগ্রহণকারী(রা): Laura Prelipcean

Review of Alessandro Manzoni nei paesi anglosassoni

Review | অংশগ্রহণকারী(রা): Patrizia Bettella

Review of Zibaldone

Review | অংশগ্রহণকারী(রা): Johnny L. Bertolio

Review of Carducci contemporaneo

Review | অংশগ্রহণকারী(রা): Giuseppe Gazzola

Review of The Drama of the Assimilated Jew: Giorgio Bassani’s Romanzo di Ferrara

Review | অংশগ্রহণকারী(রা): Luca Pocci

Review of Italian Immigrant Radical Culture: The Idealism of the Sovversivi in the United States, 1890–1940

Review | অংশগ্রহণকারী(রা): Nick J. Sciullo

Review of Somalitalia: Quattro Vie per Mogadiscio. Somalitalia: Four Roads to Mogadishu; Aulò!Aulò!Aulò! Poesie di nostalgia, d’esilio e d’amore. Aulò!Aulò!Aulò! Poems of Nostalgia, Exile and Love

Review | অংশগ্রহণকারী(রা): Giovanna Bellesia

Review of Forum Italicum. Journal of Italian Studies. Special Issue: Italy from Without

Review | অংশগ্রহণকারী(রা): Luisa del Giudice

Review of The Rhetoric of Violence and Sacrifice in Fascist Italy. Mussolini, Gadda, Vittorini

Review | অংশগ্রহণকারী(রা): Paul Baxa

Review of Italo Calvino: Letters, 1941–1985

Review | অংশগ্রহণকারী(রা): Gerardo Del Guercio

Review of Ending Terrorism in Italy

Review | অংশগ্রহণকারী(রা): Sciltian Gastaldi

Review of Gli ‘anni di piombo’ nella letteratura italiana

Review | অংশগ্রহণকারী(রা): Sciltian Gastaldi

Review of Morte a Venezia, Thomas Mann / Luchino Visconti: un confronto

Review | অংশগ্রহণকারী(রা): Beatrice Barbalato

Review of InSegno. Italiano L2 in classe

Review | অংশগ্রহণকারী(রা): Paola Bernardini

Note del curatore e direttore

Article | অংশগ্রহণকারী(রা): Gianni Cicali

La voce dei poeti alla corte aragonese. La festa e il teatro

Article | অংশগ্রহণকারী(রা): Francesca Bortoletti

Nella Napoli dei Re d’Aragona (1442–1504) le presenze della poesia orale nei luoghi dell’intrattenimento umanistico e del teatro aragonese giocano un ruolo determinante nel cerimoniale cortigiano e nelle strategie di politica culturale del Regno Aragonese. Il presente studio mira a rintracciare...

L’Aridosia (1536): une comedie avant la tragedie

Article | অংশগ্রহণকারী(রা): Michel Plaisance

La découverte d’un nouveau manuscrit de l’Aridosia apporte un éclairage complémentaire sur cette comédie qui a peut-être été représentée pour la première fois à l’occasion de la fête des saints Côme et Damien en septembre 1536. Elle permet aussi de voir que le manuscrit Riccardiano, à la base de...

Words, Characters, and Context: Giovan Maria Cecchi and the Language of Theatre

Article | অংশগ্রহণকারী(রা): Konrad Eisenbichler

With over sixty plays to his credit, the Florentine notary Giovan Maria Cecchi (1518–87) was the most prolific Italian dramatist of the entire Renaissance. Not surprisingly, his fellow Florentines nicknamed him il Comico (the playwright) not only because of his great productivity, but also...

How the Commedia dell’Arte Actress Revolutionized the Early Modern Italian Stage

Article | অংশগ্রহণকারী(রা): Rosalind Kerr

The first actresses who joined the previously all-male the commedia dell’Arte in the 1560s are credited with making it a commercial and artistic success. This article explores the evidence to document their multi-faceted contribution and influence on the birth of early modern European theatre. My...

Tradition, Innovation, and Experimentation: The Dramatic Stage and New Modes of Performance in Late Eighteenth-Century Naples

Article | অংশগ্রহণকারী(রা): Anthony R. DelDonna

Naples in the last thirty years of the eighteenth-century was characterized by a fervent climate of theatrical experimentation. Although too often viewed as the last stronghold of Metastasian dramatic principles and traditions, the city was deeply influenced by the “reform culture” of Northern...