Review of La légende dorée. Édition critique dans la révision de 1476 par Jean Batallier, d'après la traduction de Jean de Vignay (1333-1348) de la Legenda aurea

Review | অংশগ্রহণকারী(রা): Claire Le Brun-Gouanvic

Review of Images of Rule: Art and Politics in the English Renaissance, 1485-1649

Review | অংশগ্রহণকারী(রা): Neil Cuddy

Review of Writing the English Republic: Poetry, Rhetoric and Politics 1627-1660

Review | অংশগ্রহণকারী(রা): Elizabeth Sauer

Review of Enacting Gender on the English Renaissance Stage

Review | অংশগ্রহণকারী(রা): Elizabeth Sauer

Review of Orders and Hierarchies in Late Medieval and Renaissance Europe

Review | অংশগ্রহণকারী(রা): Elizabeth Sauer

Remaking the Bible: English Reformation Spiritual Conduct Books

Article | অংশগ্রহণকারী(রা): Helaine Razovsky

Among the thousands of devotional works produced in the centuries following the English Reformation are hundreds that may be called spiritual conduct books. This article defines the term "spiritual conduct book" on the basis of a text's purpose and audience. Unlike more familiar secular conduct...

Pour une lecture féminine de la Bible à la Renaissance: socialisation et principes herméneutiques dans trois traités anonymes mis à l'Index

Article | অংশগ্রহণকারী(রা): René Paquin

La démocratisation de la Bible fut au coeur de la Réforme protestante. Or, en France, cette réclamation rencontra une vive opposition de la part des instances religieuses traditionnelles. L'interdiction faite aux laïcs de lire, de traduire ou d'imprimer la Bible en langue vernaculaire donna lieu...

The Neoplatonic Logic of Richard Hooker's Generic Division of Law

Article | অংশগ্রহণকারী(রা): W. J. Torrance Kirby

Richard Hooker's theology of Law is rooted in a twofold argument: the systematic appropriation of the neoplatonic structure of argument and an appeal to protestant conceptions of Nature and Grace. This paper offers a close reading of Hooker's Of the Lawes of Ecclesiasticall Politie in an attempt...

Intertextual Madness in Hamlet: The Ghost's Fragmented Performativity

Article | অংশগ্রহণকারী(রা): Hilaire Kallendorf

This essay establishes King James I's Daemonologie and Reginald Scot's Discouerie of Witchcraft as intertexts for Hamlet. It demonstrates how the diabolical linguistic register borrowed from these intertexts both heightens the verisimilitude of Hamlet's madness and expands the performative...

Review of Dialogues et Devis des Damoiselles

Review | অংশগ্রহণকারী(রা): Claude La Charité

Review of The Flight of Icarus: Artisan Autobiography in Early Modern Europe

Review | অংশগ্রহণকারী(রা): Kevin Pask

Review of The Life of Thomas More

Review | অংশগ্রহণকারী(রা): Scott R. Pilarz

Review of La génération Marot. Poètes français et néo-latins (1515-1550). Actes du Colloque Internationnal de Baltimore, 5-7 décembre 1996.

Review | অংশগ্রহণকারী(রা): Laura Willett

Review of Montaigne and the Quality of Mercy: Ethical and Political Themes in the Essais

Review | অংশগ্রহণকারী(রা): Cathleen M. Bauschatz

Review of Charting an Empire: Geography and the English Universities, 1580-1620

Review | অংশগ্রহণকারী(রা): Bruce McLeod

Review of Henry IV and the Towns: The Pursuit of Legitimacy in French Urban Society, 1589-1610

Review | অংশগ্রহণকারী(রা): Alan G. Arthur

Review of Closet Devotions

Review | অংশগ্রহণকারী(রা): Michael M. Holmes

Review of Remembering the Renaissance: Humanist Narratives of the Sack of Rome

Review | অংশগ্রহণকারী(রা): Alexander Nagel

Reforming the Tudor Dialogue: A Case Study

Article | অংশগ্রহণকারী(রা): Seymour Baker House

This case study assesses the implications of rhetorical style in dialogues by Thomas Becon and his contemporary, Desiderius Erasmus. Becon imitated an Erasmian theme but rejected Erasmus's classically oriented rhetoric and the epistemology it advanced. Instead, he used the dialogue form as a...

On First Looking into Lumley's Euripides

Article | অংশগ্রহণকারী(রা): Patricia Demers

This essay explores the text of Lady Jane Lumley's Tudor translation of Iphigeneia at Aulis in an attempt to see the mind of an erudite, privileged young woman at work. By braiding domestic and political contexts in Lumley's adroitly oblique allusions to her time, it attends to her interest in...