The excerpt from Aeneas’ tale to Dido which Hamlet elicits from the Player is based in part on Marlowe’s Dido Queen of Carthage. As a melodramatic description of the culmination of the Trojan war with the slaughter of Priam, the Player’s speech appears to be specified by Hamlet because it recalls Old Hamlet’s preceding account of his own murder — a report which figures Old Hamlet’s body as an assailed citadel. These two accounts, with other Virgilian and contemporary allusions, associate the action and apparent inaction of Hamlet with the manoeuvres and stalemates of an extended siege war. Elizabethan land warfare was chiefly siege campaigning, and there was an extensive contemporary literature on this mode of conflict. Marrying Virgil’s account of Troy to Renaissance siegecraft theory, Shakespeare makes the Aeneid and elements of contemporary warfare an entelechy of Hamlet.

Los investigadores deben citar este trabajo de la siguiente manera:

• Black, J., (2025), "Hamlet hears Marlowe; Shakespeare reads Virgil", HSSCommons: (DOI: )

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1. Renaissance and Reformation

Original publication: Black, James. "Hamlet hears Marlowe; Shakespeare reads Virgil." Renaissance and Reformation 30 (4): 2010. 17-28. DOI: 10.33137/rr.v30i4.11519. This material has been re-published in an unmodified form on the Canadian HSS Commons with the permission of Iter Canada / Renaissance and Reformation. Copyright © the author(s). Their work is distributed by Renaissance and Reformation under a Creative Commons Attribution-NonCommercial 4.0 International License. For details, see https://creativecommons.org/licenses/.