“Till I in hand her yet halfe trembling tooke”: Doctrines of Justification in Edmund Spenser’s Amoretti
This article claims there is an underlying soteriological conceit in Spenser’s Amoretti (1595) concerning the roles that “works” and “grace” play in the beloved’s requital: roles with theological analogues in justification, the means by which people…
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Versión 1.0 - publicado en 08 Jul 2025
Licencia Creative Commons BY-NC 4.0
“Till I in hand her yet halfe trembling tooke”: Doctrines of Justification in Edmund Spenser’s AmorettiIter Community
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