“Il ridervi de la goffezza del dire”: Niccolò Franco et la satire napolitaine du pétrarquisme

By Roland Béhar

This essay explores the Neapolitan background of Niccolò Franco and argues that although the main purpose of his Il Petrarchista (Venice, 1539) was certainly a kind of Erasmian and Aretinian satire of the Petrarchist mode which grounded Pietro…

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