“A Virgine and a Martyr both”: The Turn to Hagiography in Heywood’s Reformation History Play

By Gina M. Di Salvo

This article considers the narrative and theatrical strategies used by Thomas Heywood to sanctify Elizabeth I as a virgin martyr saint in the remarkable, yet understudied, Reformation history play If You Know Not Me, You Know Nobody, Part I, or the…

Listada em Article | publicação por grupo Iter Community

Preview publication

Versão 1.0 - publicado em 21 Jun 2025

Licenciado sob Creative Commons BY-NC 4.0

Documentos de Suporte

  • pdf “A Virgine and a Martyr both”: The Turn to Hagiography in Heywood’s Reformation History PlayPreviewDownload (PDF | 3 MB)