Isabella Andreini (Comica Gelosa 1560-1604): Petrarchism for the Theatre Public
This article locates Isabella Andreini as a self-reflexive mannerist artist who used her incarnation as an idealized neoplatonic innamorata to practise her sixteenth-century petrarchism on the stage. Examples from her poetry, letters and other…
Listada em Article | publicação por grupo Iter Community
Versão 1.0 - publicado em 09 May 2025
Licenciado sob Creative Commons BY-NC 4.0
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| Versão | Lançado | Identificador de DOI | Status | |
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