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  1. Review of Writing History in Renaissance Italy: Leonardo Bruni and the Uses of the Past
  2. Review of Clio and the Crown: The Politics of History in Medieval and Early Modern Spain
  3. Review of Scholarly Self-Fashioning and Community in the Early Modern University
  4. Review of Montaigne manuscript

    Review of Montaigne manuscript

    Review | Contribuidor(es): George Hoffmann

  5. Review of Divine Kingdom, Holy Order: The Political Writings of Martin Luther
  6. Review of A Linking of Heaven and Earth: Studies in Religious and Cultural History in Honor of Carlos M. N. Eire
  7. Review of The Pulpit and the Press in Reformation Italy

    Review of The Pulpit and the Press in Reformation Italy

    Review | Contribuidor(es): Celeste McNamara

  8. Review of Apologi

    Review of Apologi

    Review | Contribuidor(es): Daniela Solfaroli Camillocci

  9. Review of The Ashgate Research Companion to Women and Gender in Early Modern Europe
  10. Review of The Collected Writings, Volume 1: The Voyages

    Review of The Collected Writings, Volume 1: The Voyages

    Review | Contribuidor(es): Christopher M. Parsons

  11. Review of Martin Luther: Rebell in einer Zeit des Umbruchs

    Review of Martin Luther: Rebell in einer Zeit des Umbruchs

    Review | Contribuidor(es): Hilmar M. Pabel

  12. Review of Renaissance Hybrids: Culture and Genre in Early Modern England

    Review of Renaissance Hybrids: Culture and Genre in Early Modern England

    Review | Contribuidor(es): Mark Albert Johnston

  13. Review of Medieval Autographies: The “I” of the Text

    Review of Medieval Autographies: The “I” of the Text

    Review | Contribuidor(es): Stephen D. Powell

  14. Review of The Renaissance Epic and the Oral Past

    Review of The Renaissance Epic and the Oral Past

    Review | Contribuidor(es): Andrew Wadoski

  15. Constructing a Mainland State in Literature: Perceptions of Venice and Its Terraferma in Marin Sanudo’s Geographical Descriptions

    Constructing a Mainland State in Literature: Perceptions of Venice and Its Terraferma in Marin Sanudo’s Geographical Descriptions

    Article | Contribuidor(es): Sandra Toffolo

    This article focuses on how, in a time of important political changes, narratives concerning Venice and its mainland state could be constructed and transformed. As case study, three geographical descriptions by the Venetian patrician Marin Sanudo (1466–1536) are analyzed: Itinerarium Marini...

  16. A More Excellent Way: Philip Melanchthon’s Corinthians Lectures of 1521–22

    A More Excellent Way: Philip Melanchthon’s Corinthians Lectures of 1521–22

    Article | Contribuidor(es): William P. Weaver

    Through a critical study of Philip Melanchthon’s 1521–22 lectures on 1 and 2 Corinthians, this essay evaluates his rhetorical method of reading and annotating Scripture. Building on a conventional analogy between ad fontes and sola scriptura, it investigates an equally operative analogy between...

  17. The Impossible Striptease: Nudity in Jean Calvin and Michel de Montaigne

    The Impossible Striptease: Nudity in Jean Calvin and Michel de Montaigne

    Article | Contribuidor(es): Nora Martin Peterson

    This essay examines the writings of Jean Calvin and Michel de Montaigne, two figures not commonly considered together. The article seeks to highlight a certain fascination with nudity, not only in these texts, but in sixteenth-century culture as a whole. Though it is a bodily phenomenon, I argue,...

  18. Red Herrings and the “Stench of Fish”: Subverting “Praise” in Thomas Nashe’s Lenten Stuffe

    Red Herrings and the “Stench of Fish”: Subverting “Praise” in Thomas Nashe’s Lenten Stuffe

    Article | Contribuidor(es): Kristen Abbott Bennett

    In Lenten Stuffe, “praise” emerges as a red herring diverting readers from recognizing how Thomas Nashe telescopes his chorography of Yarmouth into a catalogue of arbitrary Crown rule from William the Conqueror’s rule through the English Reformation. So too is Nashe’s apology for contributing to...

  19. “Worthy my blood”: Inheritance, Imitation, and Gendered Familial Emotions in John Marston’s Antonio Plays

    “Worthy my blood”: Inheritance, Imitation, and Gendered Familial Emotions in John Marston’s Antonio Plays

    Article | Contribuidor(es): Megan Elizabeth Allen

    Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial emotions reveal the ideologies that underpin both excessive and normative versions of familial relationships; these metaphors reveal the pressures placed on family emotions by economic and political...

  20. Review of Correspondance de Théodore de Bèze, tome XXXVII (1596)