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  1. Petrarch's Rerum Vulgarium Fragmenta: Mourning Laura

    Petrarch's Rerum Vulgarium Fragmenta: Mourning Laura

    Article | Contribuidor(es): Isabella Bertoletti

  2. Petrarch’s Fragmenta: The Narrative and Theological Unity of Rerum vulgarium fragmenta
  3. Phaeton’s Flight, Adonis’s Trial, and Minerva in the House of Envy: 
Lodovico Dolce between Ovid and Ariosto

    Phaeton’s Flight, Adonis’s Trial, and Minerva in the House of Envy: 
Lodovico Dolce between Ovid and Ariosto

    Article | Contribuidor(es): Andrea Torre

    Introducing Thyeste: Tragedia da Seneca (1547), the Venetian writer Lodovico Dolce (1508–68) defines the art of translating a book as an experience that lives in the “perspective of the becoming [...] because in order to translate, it is necessary for us to take another language or (if possible)...

  4. Photography and the Concept of Return: A Personal View

    Photography and the Concept of Return: A Personal View

    Article | Contribuidor(es): Vincenzo Pietropaolo

    As a photographer of the immigrant experience, the yearning for return to a homeland has been a central theme of my research. In this paper, I explore both my personal and collective experience of displacement and uprooting (Not Paved with Gold), the annual return to Canada of temporary migrant...

  5. Piagnone Exemplarity and the Florentine Literary Canon in the Vita di Girolamo Benivieni
  6. Pic de la Mirandole et son mythe, tels que vus par William G. Craven
  7. Pico della Mirandola, Giovanni. Lettere: Edizione critica. Ed. Francesco Borghesi
  8. Picturing Annie's Egypt. Terra di Cleopatra by Annie Vivanti

    Picturing Annie's Egypt. Terra di Cleopatra by Annie Vivanti

    Article | Contribuidor(es): Anne Urbancic

    Her readers would not have found the Egyptian adventure portrayed in Terra di Cleopatra to have been too unusual or exotic for Annie Vivanti, a world traveller who had already described countless foreign locales and adventures in previous works. Some of these were presented as fiction; others...

  9. Piercing Proverbial Crows’ Eyes: Theft and Publication in Renaissance France

    Piercing Proverbial Crows’ Eyes: Theft and Publication in Renaissance France

    Article | Contribuidor(es): Emma Herdman

    The ironic Latin proverb “cornicum oculos configere” was classically illustrated by the example of Gnaeus Flavius, celebrated for his theft and valuable but unauthorized publication of Rome’s legal secrets. Erasmus’s discussion of the proverb in the Adages consequently focuses on the tension...

  10. Piero Garofalo, Elizabeth Leake and Dana Renga. Internal exile in Fascist Italy. History and representation of confino
  11. Pietro Aretino's Orazia: A Bibliographical Essay

    Pietro Aretino's Orazia: A Bibliographical Essay

    Article | Contribuidor(es): Michael Lettieri

  12. Pietrzyk-Reeves, Dorota. Polish Republican Discourse in the Sixteenth Century. Trans. Teresa Bałuk-Ulewiczowa.
  13. Piety and Conflict in the Early Reformation: Introduction

    Piety and Conflict in the Early Reformation: Introduction

    Article | Contribuidor(es): Andrew Gow, Robert J. Bast

  14. Piety and Poor Relief: Confraternities in Medieval Cremona, c. 1334-1499

    Piety and Poor Relief: Confraternities in Medieval Cremona, c. 1334-1499

    Article | Contribuidor(es): Barbara Anna Sella

  15. Piis enim pia conveniunt: Music for the Società della Santa Croce in Cento (1606)
  16. Pirandello 150: Introduction

    Pirandello 150: Introduction

    Article | Contribuidor(es): Luca Somigli

  17. Pirandello and Buzzati: A Profile of the Short Story Elzeviro

    Pirandello and Buzzati: A Profile of the Short Story Elzeviro

    Article | Contribuidor(es): Robin Pickering-Iazzi

  18. Pirandello and the enigma of non-sense

    Pirandello and the enigma of non-sense

    2023-05-25 22:34:03 | Article | Contribuidor(es): Alfonso Procaccini

  19. Pirandello pittore e critico d'arte (con una lettera inedita)

    Pirandello pittore e critico d'arte (con una lettera inedita)

    2023-05-25 22:14:44 | Article | Contribuidor(es): Antonio Alessio

  20. Pirandello's Influence on Nino Manfredi's Film Nudo di donna (Portrait of a Woman, Nude)