"... si sentì del duolo"
অংশগ্রহণকারী(রা): Giorgio Brugnoli
"A Portrait of the Artist as a Female Painter": the Kunstlerroman Tradition in A. Banti's Artemisia
অংশগ্রহণকারী(রা): Valeria Finucci
"A te convien tenere altro viaggio": il problema della auctoritas e il genere della Commedia
অংশগ্রহণকারী(রা): Flavia Coassin
"As we fish and farm"
2025-03-19 22:04:01 | অংশগ্রহণকারী(রা): Kristen Lowitt | https://doi.org/10.15353/cfs-rcea.v1i1.12
"As we fish and farm" is a short radio documentary that explores a changing food and fishing system in the Bonne Bay region on Newfoundland's west coast. It was developed as part of the interdisicplinary Community-University Research for Recovery Alliance (CURRA) project at Memorial University...
"Citrulli, stonati e capetoste": Lessico italoamericano e terze generazioni
অংশগ্রহণকারী(রা): Daniele Laudadio
"Clear as heav'n:" Herbert's Poetry and Rhetorical "Divinitie"
অংশগ্রহণকারী(রা): Kenneth J. E. Graham
Cet article montre que George Herbert, tout comme d'autres interprètes de cette période, a probablement utilisé une herméneutique rhétorique dans le but de mettre en contexte et d'harmoniser des textes bibliques en apparence contradictoires. On donne premièrement des exemples de ce processus...
"Colenda poesis, et inde Poete" (Gen. deor. gent., XIV, 22, 11): Boccaccio, la novità della letteratura e la libertà dei poeti
অংশগ্রহণকারী(রা): Matteo Bosisio
L’articolo, dopo aver mostrato le esigenze storiche e culturali che spinsero intellettuali quali Mussato e Petrarca a ricodificare lo statuto della letteratura, si sofferma sulla difesa della poesia operata da Boccaccio. Il certaldese non solo giunge a un risultato innovativo, totalmente...
"Comfort without offence"? The Performance and Transmission of Exile Literature at the English College, Valladolid, 1592-1600
অংশগ্রহণকারী(রা): Berta Cano Echevarría, Ana Sáez Hidalgo, Glyn Redworth, Mark Hutchings
Parmi les séminaires établis après la Réforme, le Collège de St-Alban de Valladolid a joué un rôle politique et religieux particulièrement significatif. Dès ses premières années, la couronne espagnole a démontré son soutien envers le Collège des Anglais, et exprimé ses objectifs à travers une...
"Courtiers of Beauteous Freedom": Antony and Cleopatra in its Time
অংশগ্রহণকারী(রা): Paula Yachnin
"Cristina Campo’s Visions and Revisions: The essay ‘Una rosa' between 1962 and 1971"
অংশগ্রহণকারী(রা): Cristina Mazzoni
A comparative analysis of the 1962 and the 1971 versions of Cristina Campo’s essay “Una rosa”—an interpretation of the French classic fairy tale, “Beauty and the Beast”—reveals several small but significant changes. These can be most usefully understood in the context of Campo’s conversion to...
"Dal granito all'arcobaleno" cinque secoli di "Vite" di Paolo Uccello, pittore fiorentino
অংশগ্রহণকারী(রা): Roberto Ludovico
"Derived Honesty and Achieved Goodness”: Doctrines of Grace in All’s Well That Ends Well
অংশগ্রহণকারী(রা): Cynthia Lewis
"Diventassi anch'io un uomo": Pinocchio's Shared Humanity
অংশগ্রহণকারী(রা): Patricia Demers
"Domine, labia mea aperies": Forese Donati and Ugolino
অংশগ্রহণকারী(রা): Carolynn Lund Mead
"For not just under kerchiefs [bende] Love resides . . .". Tone, Lexicon, Context, and Symbol in a Petrarchan Crux Word
অংশগ্রহণকারী(রা): James Wyatt Cook
"Già mai non mi conforto": A Reexamination
অংশগ্রহণকারী(রা): Marilyn Migiel
"Good Works are Detrimental to Salvation": Amsdorf's Use of Luther's Words in Controversy
অংশগ্রহণকারী(রা): Robert Kolb
"He took his religion by trust": The Matter of Ben Jonson's Conversion
অংশগ্রহণকারী(রা): James P. Crowley
During his imprisonment for the murder of Gabriel Spencer in 1598, Ben Jonson converted to the outlawed Roman Catholic Church, and for the next 12 years made no attempt to conceal his recusant status. Jonson's biography and the historical documents treating conversion and recusancy offer evidence...
"I don't know whether I'm dreaming now, or if I dreamed what I'm about to tell you": Filippo Brunelleschi and the Perspectives of Sleep in the novella of the Fat Woodcarver
অংশগ্রহণকারী(রা): Lorenzo Bartoli
"In tristitia hilaris in hilaritate tristis": armonia nei contrasti
অংশগ্রহণকারী(রা): Laura Sanguineti White
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