The charitable activities carried out by the Buonomini di San Martino during the Quattrocento have been reasonably well documented by modern historians. Nevertheless, the patronage and financial aid bestowed on fifteenth-century Florentine artists and artisans by this lay confraternity remains unexplored. Accordingly, this article, by employing previously unpublished archival data, will demonstrate how the Buonomini used social networks to procure art- works for the confraternity. Furthermore, the investigation will estab- lish that the confraternity also provided financial aid to artists both famous and obscure who required temporary economic assistance.

Les chercheurs doivent citer ce travail comme suit :

• Hughes-Johnson, S., (2025), "“I Buonomini di San Martino: Patrons and Facilitators of the Visual Arts in Quattrocento Florence”", HSSCommons: (DOI: )

  Copy Citation | Export metadata as... | JSON | CSV | RO-Crate | BibTex | EndNote

1. Confraternitas

Original publication: Hughes-Johnson, Samantha. ““I Buonomini di San Martino: Patrons and Facilitators of the Visual Arts in Quattrocento Florence”.” Confraternitas 25 (1): 2014. 5-31. DOI: . This material has been re-published in an unmodified form on the Canadian HSS Commons with the permission of Iter Canada / Confraternitas. Copyright © the author(s). Their work is distributed by Confraternitas under a Creative Commons Attribution-NonCommercial 4.0 International License. For details, see https://creativecommons.org/licenses/.