“A Virgine and a Martyr both”: The Turn to Hagiography in Heywood’s Reformation History Play
This article considers the narrative and theatrical strategies used by Thomas Heywood to sanctify Elizabeth I as a virgin martyr saint in the remarkable, yet understudied, Reformation history play If You Know Not Me, You Know Nobody, Part I, or the…
Listée dans Article | publication par groupe Iter Community
Version 1.0 - publiée le 24 Apr 2025
Sous licence Creative Commons BY-NC 4.0
“A Virgine and a Martyr both”: The Turn to Hagiography in Heywood’s Reformation History PlayIter Community
This publication belongs to the Iter Community group.
When watching a publication, you will be notified when a new version is released.