“Must I be . . . made a common sink?”: Witchcraft and the Theatre in The Witch of Edmonton

By David Stymeist

Les auteurs de The Witch of Edmonton (1621) se servent d’une stratégie d’ambivalence en représentant sur scène Elizabeth Sawyer, qui avait été dernièrement exécutée pour sorcellerie. L’intertissage complexe d’un scepticisme rationnel avec un…

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