Érasme, l’Arétin et Boccace dans l’invention du discours comique-burlesque d’Annibal Caro

By Ambra Moroncini

This article considers Annibal Caro’s religious sentiments during the years of his most intense comic and paradoxical production: the pre-Tridentine period from 1536 to 1543, a time of tense expectation in Rome for significant Church reform.…

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Version 1.0 - published on 09 Jun 2025

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