In Eastern Bloc’s recent exhibition BPLTC 111: Food Control new media artists use digital technologies as both a form of aesthetic presentation and a kind of mimicry to critique the technologically driven industrial food system. This exhibition was the last of a three-part exhibition on Biopolitics. The objective of the show is to explore how research and technological changes in society influence the ways food is distributed and accessed within contemporary regimes--a familiar topic to many food studies scholars.

Researchers should cite this work as follows:

• Tudge, P. H., (2025), "Event Review of BPLTC III: Food Control", HSSCommons: (DOI: 10.15353/cfs-rcea.v3i1.154)

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1. biopolitics
2. fermentation
3. food
4. new media
5. robots

Original publication: Tudge, Pamela Honor. "Event Review of BPLTC III: Food Control." Canadian Food Studies / La Revue canadienne des études sur l'alimentation, vol. 3, no. 1, 2016, pp. 119-123. DOI: 10.15353/cfs-rcea.v3i1.154. This material has been re-published in an unmodified form on the Canadian HSS Commons with the permission of Canadian Food Studies / La Revue canadienne des études sur l'alimentation. Copyright © the author(s). Work published in CFS/RCÉA prior to and including Vol. 8, No. 3 (2021) is licensed under the Creative Commons CC BY license. Work published in Vol. 8, No. 4 (2021) and after is licensed under the Creative Commons CC BY-SA license. For details, see creativecommons.org/licenses/.