“Till I in hand her yet halfe trembling tooke”: Doctrines of Justification in Edmund Spenser’s Amoretti

By Lauren Shufran

This article claims there is an underlying soteriological conceit in Spenser’s Amoretti (1595) concerning the roles that “works” and “grace” play in the beloved’s requital: roles with theological analogues in justification, the means by which people…

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