“E poi in Roma ognuno è Aretino”: Pasquino, Aretino, and the Concealed Self

By Marco Faini

This article explores Pietro Aretino’s pasquinade production as a crucial phase in the construction of his public and literary persona that is characterized by a peculiar effacement of the author’s voice. The article then focuses on issues of…

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Version 1.0 - published on 22 Apr 2025

Licensed under Creative Commons BY-NC 4.0

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