Isabella Andreini (Comica Gelosa 1560-1604): Petrarchism for the Theatre Public
This article locates Isabella Andreini as a self-reflexive mannerist artist who used her incarnation as an idealized neoplatonic innamorata to practise her sixteenth-century petrarchism on the stage. Examples from her poetry, letters and other…
Listed in Article | publication by group Iter Community
Version 1.0 - published on 20 Apr 2025
Licensed under Creative Commons BY-NC 4.0
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