Isabella Andreini (Comica Gelosa 1560-1604): Petrarchism for the Theatre Public

By Rosalind Kerr

This article locates Isabella Andreini as a self-reflexive mannerist artist who used her incarnation as an idealized neoplatonic innamorata to practise her sixteenth-century petrarchism on the stage. Examples from her poetry, letters and other…

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Version 1.0 - published on 20 Apr 2025

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