Staging Foxe at the Fortune and the Red Bull
Cet article considère jusqu’à quel point deux pièces de théâtre jacobéennes, If You Know Not Me, You Know Nobody (1604), par Thomas Heywood, et The Whore of Babylon (1606), par Thomas Dekker, promouvaient l’éducation religieuse et le zèle protestant…
Listed in Article | publication by group Iter Community
Version 1.0 - published on 21 Apr 2025
Licensed under Creative Commons BY-NC 4.0
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