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  1. John Colet on Law and Liberty

    John Colet on Law and Liberty

    Contributor(s): Daniel T. Lochman

  2. Du Bellay and the Inscription of Exile

    Du Bellay and the Inscription of Exile

    Contributor(s): Miriella Melara

  3. Sexual Politics and the Interpretation of Nature in Spenser's Two Cantos of Mutabilitie
  4. Une vie de palais: la cour du cardinal Alexandre Farnèse vers 1563
  5. Guerrier or Glossateur? Montaigne's Monetary Metaphors
  6. True and False Pastoral in Don Quijote

    True and False Pastoral in Don Quijote

    Contributor(s): Stephen Rupp

  7. Consilium at timor mortis: On Speaking, Writing and Silence in “Utopia”
  8. Renégats marseillais (1591-1595)

    Renégats marseillais (1591-1595)

    Contributor(s): Gabriel Audisio

  9. 'Heav'n Hath Timely Tri'd [Her] Youth": Self-Knowledge Through Language in Milton's Comus
  10. Lucrezia Marinelli and Woman's Identity in Late Italian Renaissance

    Lucrezia Marinelli and Woman's Identity in Late Italian Renaissance

    Contributor(s): Prudence Allen, Filippo Salvatore

    In this paper the Italian Humanist Lucrezia Marinelli (1571-1653) will be examined from the two complementary perspectives on her place in the late Italian Renaissance Studies and her contribution to the philosophy of woman. Marinelli is remarkable in both areas of intellectual history; and her...

  11. Théodore Agrippa d'Aubigné charmé par les voix du mythos
  12. "The Great Sophism of All Sophisms": Colonialist Redefinition in Bacon's Holy War
  13. Re-reading the folie: Louise Labé's Sonnet XVIII and the Renaissance Love Heritage

    Re-reading the folie: Louise Labé's Sonnet XVIII and the Renaissance Love Heritage

    Contributor(s): Deborah Lesko Baker

    Louise Labé’s Sonnet XVIII is far from subtle in its forceful representation of sexual intimacy. After François Rigolot and Ann Rosalind Jones, Deborah Lesko Baker suggests a new reading of this most famous poem, and attempts to demonstrate how Louise Labé employs and ironizes the Petrarchan...

  14. 'Stone Walls' and ‘I’ron Bars': Richard Lovelace and the Conventions of Seventeenth-Century Prison Literature

    'Stone Walls' and ‘I’ron Bars': Richard Lovelace and the Conventions of Seventeenth-Century Prison Literature

    Contributor(s): Raymond A. Anselment

    In transcending stone walls and iron bars, Lovelace's well-known song "To Althea, From Prison" celebrates a freedom distinctly at odds with prevailing, often religiously inspired transformations of seventeenth-century carceral realities. Lovelace's celebration of "Minds innocent and quiet"...

  15. Aneau, des Emblèmes d'Alciat et de l'Imagination poétique aux Métamorphoses d'Ovide: pratique d'un commentaire

    Aneau, des Emblèmes d'Alciat et de l'Imagination poétique aux Métamorphoses d'Ovide: pratique d'un commentaire

    Contributor(s): Marie Claude Malenfant, Jean-Claude Moisan

    La pratique du commentaire chez Aneau, telle qu'elle s'affine dans son oeuvre d'emblématiste, de traducteur et de commentateur, "emblématise" cette tendance renaissante où l'interprétant des textes réitère la glose séculaire tout en s'appropriant cette tradition. Ainsi le commentaire anellien...

  16. "Is Abbot Isidore also among the Prophets?": Protestant Influences upon the Annotated Bible of Isidore Clarius

    "Is Abbot Isidore also among the Prophets?": Protestant Influences upon the Annotated Bible of Isidore Clarius

    Contributor(s): R. Gerald Hobbs

    This paper attempts to recognize the important role played by Isidore Clarius in the reform of the Vulgate in the Sixteenth Century. In his preface, prolegomena and notes to the Bible, Clarius provided a form of pre-Tridentine Biblical scholarship which enjoyed more affinities with evangelical...

  17. Leone de' Sommi and Jewish Theatre in Renaissance Mantua

    Leone de' Sommi and Jewish Theatre in Renaissance Mantua

    Contributor(s): Donald Beecher

    This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his...

  18. Garnier's Historical Sources in Les Juifves

    Garnier's Historical Sources in Les Juifves

    Contributor(s): Damon Di Mauro

    Robert Garnier's "Les Juifves" (1583) is generally considered to be the crown jewel of the French Renaissance stage. At the close of his prefatory "Argument" to the play, Garnier obligingly furnishes the historical sources from which he has taken the story of the sufferings of Zedekiah and his...

  19. Les opinions politiques d'un avocat parisien sous Henri IV: Antoine Arnauld

    Les opinions politiques d'un avocat parisien sous Henri IV: Antoine Arnauld

    Contributor(s): Michel De Waele

    Antoine Arnauld est surtout connu des historiens pour ses attaques virulentes contre les Jésuites. Mais cet avocat parisien a participé à tous les débats qui secouèrent la France durant le règne d'Henri IV. Royaliste convaincu, ardent défenseur des privilèges du parlement, ses opinions politiques...

  20. "Ryse Up Elisa” – Woman Trapped in a Lay: Spenser's "Aprill"

    "Ryse Up Elisa” – Woman Trapped in a Lay: Spenser's "Aprill"

    Contributor(s): Marianne Micros

    In Edmund Spenser's "Aprill," Colin Cloute, by creating and controlling an idealized woman, has silenced the source of his own creative power. However, Colin's lay contains hints that Elisa is neither perfect nor passive: complex natural and mythological allusions reveal her vitality and...