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  1. Fee, Christopher R. Arthur: God and Hero in Avalon

    Fee, Christopher R. Arthur: God and Hero in Avalon

    Contributor(s): Mark Albert Johnston

  2. Grieco, Allen J. Food, Social Politics and the Order of Nature in Renaissance Italy
  3. Habinek, Lianne. The Subtle Knot: Early Modern English Literature and the Birth of Neuroscience, and Hogan, Sarah. Other Englands: Utopia, Capital, and Empire in an Age of Transition
  4. Hirstein, James, éd. Beatus Rhenanus (1485–1547) et une réforme de l’Eglise : Engagement et changement. Actes du colloque international tenu à Strasbourg et à Sélestat du 5 au 6 juin 2015
  5. Knell, Matthew. Sin, Grace and Free Will: A Historical Survey of Christian Thought. Vol. 2, From Anselm to the Reformation
  6. Lee, Alexander. Humanism and Empire: The Imperial Ideal of Fourteenth-Century Italy.
  7. Lourenço, Miguel Rodrigues. A articulação da periferia: Macau e a Inquisição de Goa (c. 1582–1650)
  8. Murphy, Peter. The Long Public Life of a Short Poem: Reading and Remembering Thomas Wyatt
  9. Nelson, Jennifer. Disharmony of the Spheres: The Europe of Holbein’s Ambassadors
  10. Neville, Kristoffer. The Art and Culture of Scandinavian Central Europe, 1550–1720
  11. Quitslund, Beth, and Nicholas Temperley, eds. The Whole Book of Psalms: Collected into English Metre by Thomas Sternhold, John Hopkins, and Others; A Critical Edition of the Texts and Tunes
  12. Quiviger, François. Leonardo da Vinci: Self, Art and Nature
  13. Renck, Anneliese Pollock. Female Authorship, Patronage, and Translation in Late Medieval France from Christine de Pizan to Louise Labé
  14. Rizzi, Andrea. Vernacular Translators in Quattrocento Italy: Scribal Culture, Authority, and Agency
  15. Romagnino, Roberto. Décrire dans le roman de l’âge baroque (1585–1660). Formes et enjeux de l’ecphrasis
  16. Vives, Juan Luis. De Europae dissidiis et republica. Ed. and trans. with an intro. by Edward V. George and Gilbert Tournoy
  17. Waddington, Raymond. Titian’s Aretino: A Contextual Study of All the Portraits
  18. Wallace, William E. Michelangelo, God’s Architect: The Story of His Final Years and Greatest Masterpiece
  19. Piercing Proverbial Crows’ Eyes: Theft and Publication in Renaissance France

    Piercing Proverbial Crows’ Eyes: Theft and Publication in Renaissance France

    Contributor(s): Emma Herdman

    The ironic Latin proverb “cornicum oculos configere” was classically illustrated by the example of Gnaeus Flavius, celebrated for his theft and valuable but unauthorized publication of Rome’s legal secrets. Erasmus’s discussion of the proverb in the Adages consequently focuses on the tension...

  20. A Case Study of the Reception of Aristotle in Early Protestantism: The Platonic Idea of the Good in the Commentaries on the Nicomachean Ethics

    A Case Study of the Reception of Aristotle in Early Protestantism: The Platonic Idea of the Good in the Commentaries on the Nicomachean Ethics

    Contributor(s): Alfonso Herreros

    The present article examines the philosophical ethics of Protestants teaching in higher education during the sixteenth and seventeenth centuries and their reception of Aristotle’s Nicomachean Ethics, 1.6. Two theses are illustrated. First, the survey of fourteen commentaries shows clear parallels...