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  1. Error in Dante's Convivio

    Error in Dante's Convivio

    Contributor(s): Massimo Verdicchio

  2. L'Acheronte dantesco: morte del Pellegrino e della poesia
  3. Dante's Broken Faith: The Sin of the Second Circle
  4. From locus amoris to Infernal Pentecost: the Sin of Brunetto Latini
  5. Deceivers Deceived: Devilish Doubletalk in Inferno 21-23

    Deceivers Deceived: Devilish Doubletalk in Inferno 21-23

    Contributor(s): Christopher Kleinhenz

  6. Dante's Nose and Publius Ovidius Naso: A Gloss on Inferno 25.45
  7. Juno among the Counterfeiters: Tragedy vs. Comedy in Dante's Inferno 30
  8. Dante's Paradigms of Humility and the Structure of Reading

    Dante's Paradigms of Humility and the Structure of Reading

    Contributor(s): Domenico Pietropaolo

  9. Dante's Three Reflective Dreams

    Dante's Three Reflective Dreams

    Contributor(s): Zygmunt G. Baranski

  10. Dante "Mistico"?

    Dante "Mistico"?

    Contributor(s): Giuliana Carugati

  11. La "viva speranza" di Dante e il problema della salvezza dei pagani virtuosi. Una lettura di Paradiso 20
  12. Paradiso 28

    Paradiso 28

    Contributor(s): Riccardo Scrivano

  13. The Dartmouth Dante Project

    The Dartmouth Dante Project

    Contributor(s): Robert Hollander

  14. Il Giardeno, poema di imitazione dantesca del '400: edizioni promesse e citazioni reticenti in un secolo di bibliografia
  15. Dante and Peraldus: The aqua falsa of Maestro Adamo (A Note on Inferno 30. 64-69)
  16. "Domine, labia mea aperies": Forese Donati and Ugolino

    "Domine, labia mea aperies": Forese Donati and Ugolino

    Contributor(s): Carolynn Lund Mead

  17. A proposito del crese di Purgatorio 32.32

    A proposito del crese di Purgatorio 32.32

    Contributor(s): Mirella Pasquarelli

  18. Opus servile

    Opus servile

    Contributor(s): Franco Fortini

  19. Mo(u)rning and Melancholia: Tasso and the Dawn of Psychoanalysis
  20. Svevo and the Ironic Conscience of the Novel

    Svevo and the Ironic Conscience of the Novel

    Contributor(s): Massimo Verdicchio