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  1. Albino, la scrittura, la nevrosi. Ipotesi in margine all’eziologia nevrotica in Memoriale di Paolo Volponi

    Albino, la scrittura, la nevrosi. Ipotesi in margine all’eziologia nevrotica in Memoriale di Paolo Volponi

    Contributor(s): Maurizio Masi

    Il seguente articolo intende valutare più approfonditamente alcune ipotesi sull’eziologia della nevrosi in Memoriale di Paolo Volponi, partendo proprio dall’originaria definizione di questa fornitaci da Freud. Spesso l’interpretazione del testo è rimasta troppo confinata ad un’esclusiva lettura...

  2. The Trauma of “Fear-Induced Exodus:” The Case of Victor Magiar and the Italian Jews of Libya

    The Trauma of “Fear-Induced Exodus:” The Case of Victor Magiar and the Italian Jews of Libya

    Contributor(s): Rosario Pollicino

    The Italian/Italophone Jewish community is amongst those that suffered from the Holocaust and other traumas. Drawing on the work of thinkers of trauma theory such as Dori Laub and Cathy Caruth, this paper aims to add to the current discourse on literary production by Italian/Italophone Jews by...

  3. The Evolution of the Garden-Myth? Tales from Eden, Boccaccio, and Fellini

    The Evolution of the Garden-Myth? Tales from Eden, Boccaccio, and Fellini

    Contributor(s): Anthony Cristiano

    The Garden of Eden narrative has been woven, in one form or another in several literary traditions, particularly those of the Western world. The symbolic and socio-cultural significance of the ancient account have continued to inform gender relations, as well as those with the numinous, and/or...

  4. Plurilingualism and Language Contact in Friuli Venezia Giulia: The State of the Research

    Plurilingualism and Language Contact in Friuli Venezia Giulia: The State of the Research

    Contributor(s): Fabiana Fusco

    As a crossroads between Eastern and Western Europe, throughout its history Friuli Venezia Giulia has always been a strategic political and economic site and has had several rulers (German patriarchs, Venetians, etc.). Consequently, the language of the ruling classes usually differed from that of...

  5. Burchiello. The Poetry of Burchiello: Deep-fried Nouns, Hunchbacked Pumpkins, and Other Nonsense. Translation, introduction, and notes by Fabian Alfie and Aileen A. Feng.
  6. Alessandro Giardino, ed. Corporeality and Performativity in Baroque Naples. The Body of Naples
  7. Margherita Costa. The Buffoons, A Ridiculous Comedy. A Bilingual Edition. Edited and translated by Sara E. Díaz and Jessica Goethals.
  8. Simona Cigliana. Due secoli di fantasmi. Case infestate, tavoli giranti, apparizioni, spiritisti, magnetizzatori e medium
  9. Julius Evola. Teoria e pratica dell’arte d’avanguardia. A c. di Gianfranco De Turris.
  10. Serenella Iovino, Enrico Cesaretti, and Elena Past, eds. Italy and the Environmental Humanities: Landscapes, Natures, Ecologies
  11. Silvia Ross, Nicoletta Mandolini e Marina Bettaglio, a cura di. Rappresentare la violenza di genere: sguardi femministi tra critica, attivismo e scrittura
  12. Áine O’Healy. Migrant Anxieties: Italian Cinema in a Transnational Frame
  13. Paola Breda and Marino Toppan. Land of Triumph and Tragedy: Voices of the Italian Fallen Workers: A Century of Italian Immigration to Canada: Immigrants Who Made it and Those Who Perished Trying
  14. Nota della direttrice

    Nota della direttrice

    Contributor(s): Sandra Parmegiani

  15. Changing the Sex of Cats: Considerations on Tale Type ATU 545, “The Cat as Helper, or, Puss in Boots” between Italy and France

    Changing the Sex of Cats: Considerations on Tale Type ATU 545, “The Cat as Helper, or, Puss in Boots” between Italy and France

    Contributor(s): Cristina Mazzoni

    When Charles Perrault adapted his French “Puss in Boots” from earlier Italian versions by Giovan Francesco Straparola and Giambattista Basile, he made his feline protagonist a male. The cat, however, was grammatically gendered as feminine in the Italian versions, and several critics have...

  16. Sorciers et philosophes : la duplicité des Gitans dans le théâtre italien de la Renaissance

    Sorciers et philosophes : la duplicité des Gitans dans le théâtre italien de la Renaissance

    Contributor(s): Matteo Leta

    This article examines the depiction of Gypsies in sixteenth-century Italian theatre. By staging Gypsies, dramatists consciously and unconsciously reflected contemporary attitudes and biases towards this itinerant foreign population. They also exposed their own insecurities : while portraying...

  17. Destouches e Goldoni tra nobildonne, arcadi e liberi muratori. Percorsi della riforma del teatro comico italiano del Settecento
  18. Fisionomia di una raccolta poetica dimenticata: L’alba ai vetri di Giorgio Bassani (1963)
  19. Mutiny in the House: Domestic Rebellion in Fausta Cialente’s Natalia

    Mutiny in the House: Domestic Rebellion in Fausta Cialente’s Natalia

    Contributor(s): Laura A. Salsini

    The cult of domesticity positions women into a state of subservience while reinforcing gendered roles. The ideology was propagated in post-Unification Italy by Catholic doctrine as well as Fascist propaganda and practices that consigned women to the roles of wives and mothers. The physical site...

  20. Post-Unification Gender Dissonances and Ideological Counter-Discourse in Capuana’s Rassegnazione

    Post-Unification Gender Dissonances and Ideological Counter-Discourse in Capuana’s Rassegnazione

    Contributor(s): Brian Zuccala

    The article offers a (re)reading of Capuana’s often neglected novel Rassegnazione (1907), which revolves around the notion of gender-based violence as a central thematic trope. My reading illustrates Capuana’s deployment of the theme of femminicidio as a narrative tool through which to develop a...