Italian Women Writers
Contributor(s): Amanda Madden
This is a review of the Italian Women Writers (IWW) project.
Hidden Florence
Contributor(s): Stefano Dall'Aglio
This is a review of Hidden Florence.
Transcription Challenge Framework
Contributor(s): Laura Ingallinella
This is a review of the Transcription Challenge Framework.
L'influence de Sebond en Espagne au XVIe siecle
Contributor(s): J. M. De Bujanda
Montaigne and History
Contributor(s): John Priestley
Francis Bacon: Ancient or Modern?
Contributor(s): Marshall McLuhan
Who Was Christopher Columbus?
Contributor(s): James W. Cortada
Avarice and Sloth in the Orlando Furioso
Contributor(s): Julius A. Molinaro
The Erasmus Collection in the Centre for Reformation and Renaissance Studies Victoria University in the University of Toronto
Contributor(s): D. Swift Sewell
Note: The Filmed Manuscripts and Printed Books of the Vatican Library in the Pius XII Memorial Library of St. Louis University
Contributor(s): Robert Toupin
News: Ninth Annual Report (1972-1973), Centre for Reformation and Renaissance Studies, Victoria University, October 1973
Contributor(s): H. R. Sector
Giovanni Della Casa and the Galateo on Life and Success in the Late Italian Renaissance
Contributor(s): Antonio Santosuosso
"Love's sweetest part, variety": Petrarch and the Curious Frame of the Renaissance Sonnet Sequence
Contributor(s): Germaine Warkentin
The "res/verba" Dichotomy and "copia" in Renaissance Translation
Contributor(s): F. A. Kretschmer
Translation Theory in Renaissance France: The Poetic Controversy
Contributor(s): Glyn P. Norton
Archangel Michael vs. the Antichrist: The Servetian Drama of the Apocalypse
Contributor(s): Jerome Friedman
Dramatic Resolution in "La verdad sospechosa"
Contributor(s): James F. Burke
Tenth Annual Report (1973-1974): Centre for Reformation and Renaissance Studies, Victoria University, October 1974
Lope's Use of Foreshadowing in La imperial de Otôn
Contributor(s): Sonia Jones
The Conspiracy and Tragedy of Charles Duke of Byron: The Evaporation of Honour
Contributor(s): Patricia Demers
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