Loreto as an Illyrian Shrine: The Artistic Heritage of the Illyrian Confraternities and College in Loreto and Recanati

Contributor(s): Francesca Coltrinari

This article reconstructs the history of the Illyrian confraternity in Loreto and explains the connection between the legend of the Holy House and the Schiavoni. Images related to the confraternity and the Illyrian College before and after the Catholic Reformation are used to explain how the...

Loughnane, Rory, and Andrew J. Power, eds. Early Shakespeare, 1588–1594

Contributor(s): Ian McAdam

Lourenço, Miguel Rodrigues. A articulação da periferia: Macau e a Inquisição de Goa (c. 1582–1650)

Contributor(s): James Nelson Novoa

Love and Fortune in Boccaccio’s Tancredi and Ghismonda Story and in Wilmot’s Gismond of Salerne

2023-06-27 18:10:11 | Contributor(s): Frederick Kiefer

Luca Codignola. Blurred Nationalities across the North Atlantic. Traders, Priests, and Their Kin Travelling Between North America and the Italian Peninsula. 1763-1846. Toronto: University of Toronto Press, 2019.

Contributor(s): Giovanni Scarola

Luca Cottini. The Art of Objects: The Birth of Italian Industrial Culture, 1878–1928

Contributor(s): Elena Bellina

Luca Somigli e Eleonora Conti, a cura di. Oltre il canone. Problemi, autori, opere del modernismo italiano

Contributor(s): Cristina Caracchini

Lucrezia Marinelli and Woman's Identity in Late Italian Renaissance

Contributor(s): Prudence Allen, Filippo Salvatore

In this paper the Italian Humanist Lucrezia Marinelli (1571-1653) will be examined from the two complementary perspectives on her place in the late Italian Renaissance Studies and her contribution to the philosophy of woman. Marinelli is remarkable in both areas of intellectual history; and her...

Luigi Blasucci. La svolta dell’idillio e altre pagine leopardiane

Contributor(s): Johnny L. Bertolio

Luigi Pirandello e Peppino de Filippo

Contributor(s): Pasquale Sabbatino

Nella ricca produzione teatrale di Peppino De Filippo, per la quale alla luce dei recenti studi e rinvenimenti è auspicabile una nuova stagione filologica, vengono analizzate le riduzioni napoletane di Liolà e Lumie di Sicilia (LL’uva rosa) di Pirandello. Gli interventi di Peppino sul testo...

Luisa Del Giudice, ed. On Second Thought: Learned Women Reflect on Profession, Community, and Purpose. Salt Lake City: The University of Utah Press, 2017.

Contributor(s): Sonia Cancian

Lupić, Ivan. Subject of Advice: Drama and Counsel from More to Shakespeare

Contributor(s): Goran Stanivukovic

Luther and Medieval Mysticism in the Context of Recent Historiography

Contributor(s): Werner O. Packull

Luther Materials in University of Toronto Libraries

2023-04-20 18:40:48 | Contributor(s): J. M. Estes

Luther, Martin. The Essential Luther. Ed. and trans., with an intro. by Tryntje Helfferich.

Contributor(s): Jess Allen

L’"orribile gioia" o della noia in Brancati

Contributor(s): Alessandro Bosco

Ripercorrendo l'opera brancatiana da Singolare avventura di viaggio a Paolo il caldo, si esamina la tematica della noia nel suo significato sia letterario che esistenziale, evidenziando come sia il discorso politico (la giovanile infatuazione per il fascismo e il successivo passaggio...

L’acculturazione linguistica dei discendenti italiani a Caracas: due generazioni a confronto

Contributor(s): Salvatore Orlando

L’Antiquité « à la mode » : traduction et travestissement littéraires, de la France à l’Angleterre (1650–1700)

Contributor(s): Marie-Alice Belle

This essay offers a parallel study of English translations of the Classics published in seventeenth-century Britain and their subversive « imitations » also (paradoxically) flourishing at the time. While scholars have highlighted the « hypertextual » (Genette) dynamics of literary travesties and...

L’Apport de la typographie et de la musique à la poésie française du début du seizième siècle

Contributor(s): Gaston Allaire

L’Aridosia (1536): une comedie avant la tragedie

Contributor(s): Michel Plaisance

La découverte d’un nouveau manuscrit de l’Aridosia apporte un éclairage complémentaire sur cette comédie qui a peut-être été représentée pour la première fois à l’occasion de la fête des saints Côme et Damien en septembre 1536. Elle permet aussi de voir que le manuscrit Riccardiano, à la base de...