Dissolution and the Making of the English Literary Canon: The Catalogues of Leland and Bale

Contributor(s): Trevor Ross

Distributed Donne: A Response to the Problem of His Titles

Contributor(s): Janis Lull

Most of the titles traditionally associated with Donne's poems probably did not originate with the biographical Donne. When modern editors use these titles, they expand Donne's authorial "self" to include the literary judgments of the poet's first readers as well as their own literary judgments....

Documenting Italiese: Necessity or Luxury

Contributor(s): Diana Iuele-Colilli

DocuScope

Contributor(s): Marcus Dahl

This is a review of DocuScope.

Don Rodrigo, Don Giovanni e l’oltraggio ai morti: percorsi purgatoriali ne I promessi sposi

Contributor(s): Fabio Camilletti

Donaldson, Peter S., dir. and editor-in-chief, and Alexa Alice Joubin, co-dir. MIT Global Shakespeares Video and Performance Archive.

Contributor(s): Zoltán Márkus

Donlan, Thomas A. The Reform of Zeal: François de Sales and Militant French Catholicism

Contributor(s): Vivek Ramakrishnan

Donne's "La Corona" and Christ's Mediatorial Office

Contributor(s): R. R. Dubinski

Donne's Holy Sonnets and the Seven Penitential Psalms

Contributor(s): Roman Dubinski

Donne's Model: Henry IV

Contributor(s): Anthony Raspa

Donne's Pseudo-Martyr is his first major published work and the longest that he ever wrote. As he argues in it about the relationship of the state and religion to each other, he establishes Henry IV of Navarre, king of France, as one of his models of a competent and tolerant king. Henry's...

Donne's Satyre I and the Closure of the Law

Contributor(s): Gregory Kneidel

Cet article montre que le fuyant interlocuteur dans Satyre I de John Donne, désigné par l’expression «fondling motley humorist», évoque sans doute délibérément les pénis doués de parole que l'on trouve dans les œuvres poétiques et philosophiques de Horace, Augustin et Montaigne. Cette hypothèse...

Donne/Women: Canadian Film and Video Makers of Italian Heritage

Contributor(s): Francesca L'orfano

Donor Portraits in Late Medieval Venice c. 1280–1413

Contributor(s): Angela Marisol Roberts

Dragos Calma, Reading Proclus and the Book of Causes

2023-05-18 22:20:58 | Contributor(s): Sokratis-Athanasios Kiosoglou

There is no doubt that in recent decades there has been an astonishing development in the study of Proclus’ (ad 412–485) philosophy and its reception in the Arabic, Hebrew, and Byzantine worlds. Conferences, monographs, and collective volumes [e.g., d’Hoine and Martijn 2016] dedicated to the...

Drama Online

Contributor(s): Sheila T. Cavanagh

This is a review of Drama Online.

Dramatic Resolution in "La verdad sospechosa"

Contributor(s): James F. Burke

Dramatic Theory in the Prologues of Giovan Maria Cecchi

Contributor(s): Konrad Eisenbichler

Drammaturgia e sacre scritture nell'Età dei Lumi

Contributor(s): Francesco S. Minervini

Dress, Desire, and Displacement in Góngora’s Sonnets

Contributor(s): Elizabeth Amann

Ces dernières années, les études critiques ont souligné le rôle du regard — le plaisir de la vue — dans la représentation du désir chez Góngora. Cet article met l’emphase sur le rôle d’intermédiaire du désir dans la poésie de Góngora. L’analyse se penche sur un groupe de sonnets qui représentent...

Du Bellay and the Inscription of Exile

Contributor(s): Miriella Melara