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  1. What the Monk’s Habit Hides: Excavating the Silent Truths in Marguerite de Navarre’s Heptaméron 31

    What the Monk’s Habit Hides: Excavating the Silent Truths in Marguerite de Navarre’s Heptaméron 31

    Contributor(s): Elizabeth Chesney Zegura

    In Heptaméron 31, Marguerite de Navarre portrays a lascivious “Cordelier” or Franciscan who takes over a matron’s household during her husband’s absence, kills her servants, and disguises the woman as a monk before abducting her. Despite its surface resemblance to Rutebeuf’s “Frère Denise,”...

  2. Broken Lutes and Passionate Bodies in A Woman Killed with Kindness

    Broken Lutes and Passionate Bodies in A Woman Killed with Kindness

    Contributor(s): Deanna Smid

    Thomas Heywood’s 1607 play, A Woman Killed with Kindness, ends with the protagonist, Frankford, discovering the lute of Anne, the wife he has just banished for adultery. Grieved by the sight of the instrument that he conflates with his marriage and with Anne herself, Frankford exiles the lute...

  3. “Nature’s Bastards”: Grafted Generation in Early Modern England

    “Nature’s Bastards”: Grafted Generation in Early Modern England

    Contributor(s): Claire Duncan

    This paper examines the shared rhetoric between human and horticultural generation in early modern England, particularly focusing on grafting. Early modern English gardening manuals imagine grafting as a method of controlling generation in the natural world, and early modern English obstetrical...

  4. Introduction

    Introduction

    Contributor(s): Colette H. Winn

  5. La passion au miroir: les dizains spéculaires de Délie

    La passion au miroir: les dizains spéculaires de Délie

    Contributor(s): Nancy Frelick

    Cet article se donne pour but d’examiner l’expression et la représentation des passions dans les dizains spéculaires de Délie, object de plus haulte vertu de Maurice Scève à la lumière de plusieurs traditions (ovidienne, platonicienne, pétrarquiste, ficinienne, etc.). Il s’agira donc...

  6. Gabrielle de Coignard’s Sonnets spirituels: Writing Passion within and against the Petrarchan Tradition

    Gabrielle de Coignard’s Sonnets spirituels: Writing Passion within and against the Petrarchan Tradition

    Contributor(s): Deborah Lesko Baker

    This article will focus on the ways in which Gabrielle de Coignard’s Sonnets spirituels, cultivated in purposefully sought domestic isolation, reveals conflictual aspirations nourished by the pursuit of an untainted devotional path that nevertheless cannot escape the assimilation of the earthly...

  7. “C’est un amour ou Cupidon nouveau”: Spiritual Passion and the Profane Persona in Anne de Marquets’s Les Divines Poesies de Marc Antoine Flaminius (1568–1569)

    “C’est un amour ou Cupidon nouveau”: Spiritual Passion and the Profane Persona in Anne de Marquets’s Les Divines Poesies de Marc Antoine Flaminius (1568–1569)

    Contributor(s): Annick Macaskill

    While best known for her 480 Sonets spirituels, published seventeen years after her death in 1605, the Dominican nun Anne de Marquets also contributed a remarkable collection of personal spiritual poetry during her lifetime in Les Divines Poesies de Marc Antoine Flaminius (Paris, chez N....

  8. Éros médical. Le périple anatomique de René Bretonnayau (1583)

    Éros médical. Le périple anatomique de René Bretonnayau (1583)

    Contributor(s): Dominique Brancher

    À la Renaissance, seule l’utilité biologique reconnue aux jeux de Vénus paraît conférer le droit de les pratiquer et d’en parler dans les traités médicaux en langue vulgaire. Mais le plaisir du texte, à l’instar du plaisir sexuel, peut se délier de l’utilité et conduire à savourer ces...

  9. « Si je ne suis pas sans reproches, du moins suis-je sans peur »: la passion dévorante de Pierre de Boscosel de Chastelard

    « Si je ne suis pas sans reproches, du moins suis-je sans peur »: la passion dévorante de Pierre de Boscosel de Chastelard

    Contributor(s): Hervé-Thomas Campangne

    Descendant du chevalier Bayard, Pierre de Boscosel de Chastelard faisait partie de la compagnie de gentilshommes qui accompagnèrent Marie Stuart en Écosse après la mort de François II. Épris de la reine, il se cacha sous son lit en espérant peut-être séduire sa bien-aimée ; la souveraine...

  10. A Fantastic Frenzy of Consumption in Early Modern France

    A Fantastic Frenzy of Consumption in Early Modern France

    Contributor(s): Kathleen M. Llewellyn

    The enthusiastic (even excessive) consumerism of contemporary western society has its roots, according to some, in the expansion of the consumption of goods in Renaissance Europe. Early modern men and women were ardent, even “passionate” consumers. Such self-indulgence was regarded as decadent...

  11. « Quant à ce beau discours du mespris du monde ... »: Foi calviniste et plaisirs mondains chez quatre grandes dames de la Réforme en France

    « Quant à ce beau discours du mespris du monde ... »: Foi calviniste et plaisirs mondains chez quatre grandes dames de la Réforme en France

    Contributor(s): Jane Couchman

    Le rejet des « vanités de ce monde » tient, on le sait, une place prépondérante dans la théologie calviniste. Cette étude explore le rôle de ces « plaisirs mondains » dans les lettres et les mémoires de quatre des grandes dames de la Réforme en France : Louise de Coligny (1555–1620),...

  12. Playing with Fire: Narrating Angry Women and Men in the Heptaméron

    Playing with Fire: Narrating Angry Women and Men in the Heptaméron

    Contributor(s): Emily E. Thompson

    In De Ira, Seneca dedicates three books to the denunciation of anger, a passion he insists serves no necessary purpose and leads to countless ills. Certainly Marguerite de Navarre acknowledges the violent potential of this passion in the stories of the Heptaméron. Yet her devisants not only...

  13. Laughing at Unbearable Urges: Reshaping the Male-Authored Script of Desire

    Laughing at Unbearable Urges: Reshaping the Male-Authored Script of Desire

    Contributor(s): Dora E. Polachek

    As Pierre Champion noted a half a century ago, “ The Cent Nouvelles nouvelles open a secret door into the house of men of that time.” The misogynous aspect of these novellas, designed to inspire laughter, is evident in most of the stories dealing with masculine drives and uncontrollable desires...

  14. Preface

    Preface

    Contributor(s): Vanessa McCarthy, Amyrose McCue Gill

  15. Introduction

    Introduction

    Contributor(s): Ian Frederick Moulton

  16. On Lesbian Acts and Female Pleasures in Juvenal Commentaries from Antiquity to 1500

    On Lesbian Acts and Female Pleasures in Juvenal Commentaries from Antiquity to 1500

    Contributor(s): Marc D. Schachter

    This article explores the representation of sex between women in an understudied archive: commentaries on Juvenal’s Satires from antiquity to the end of the fifteenth century. By tracking the changes in glosses to a passage in the Sixth Satire that refers to sex between women, it contributes to...

  17. Renaissance Painting and Expressions of Male Intimacy in a Seventeenth-Century Illustration from Mughal India

    Renaissance Painting and Expressions of Male Intimacy in a Seventeenth-Century Illustration from Mughal India

    Contributor(s): Mika Natif

    This article explores the artistic relationship between Western European Renaissance art and Mughal painting ca. 1630s at the ateliers in North India. A central theme is the employment of European painterly modes in the Mughal visual tradition that expressed male-male intimacy, carnal desire, and...

  18. Reading and Viewing Sex in Early Modern French Vernacular Medicine

    Reading and Viewing Sex in Early Modern French Vernacular Medicine

    Contributor(s): Sarah E. Parker

    Discussions of sex in early modern medical discourse did not simply legitimize a titillating topic. Medicine was engaged in a broader struggle to establish itself as a legitimate and professionally defined discipline; yet many practitioners marketed their ideas to a non-professional public...

  19. Bestiality and Gluttony in Theory and Practice in the Comedies of Giovan Battista Della Porta

    Bestiality and Gluttony in Theory and Practice in the Comedies of Giovan Battista Della Porta

    Contributor(s): Sergius Kodera

    Giovan Battista Della Porta (1535–1615), Neapolitan nobleman, scholar/scientist, and writer famed for books on natural magic and physiognomy, expressed quite explicit views on bestiality—that is, on human beings having sex with animals. Della Porta populated his plays with characters who allude...

  20. Sex Acts in La Celestina: An Ars Combinatoria of Desire

    Sex Acts in La Celestina: An Ars Combinatoria of Desire

    Contributor(s): Marlen Bidwell-Steiner

    This article investigates one of the most important and erotically explicit early modern Spanish texts: Fernando de Rojas’s La Celestina (1499/1507). Highlighting the dynamics of the three sex acts depicted in the plot, it argues that intercourse can be read as a negotiation of the text’s main...