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  1. De l’utopie du dialogue de la Renaissance à l’institution de la conversation à l’âge classique

    De l’utopie du dialogue de la Renaissance à l’institution de la conversation à l’âge classique

    Contributor(s): Jean-François Vallée

    Cet article se propose de comparer ces deux moments forts de la simulation écrite de l’échange oral en France que sont le milieu du XVIe siècle pour le genre du « dialogue » (ou du « colloque ») et la deuxième moitié du XVIIe pour celui de la « conversation » (ou de l’« entretien »), et ce, afin...

  2. Dido’s Defense: Joachim Du Bellay’s Bid for Female Patronage

    Dido’s Defense: Joachim Du Bellay’s Bid for Female Patronage

    Contributor(s): Beth Landers

    This article argues that French poet Joachim Du Bellay’s interest in the Dido figure and his unusual ventriloquizing of female characters are connected to his practice of cultivating female patrons. Du Bellay’s occasional poems, long ignored by scholars, suggest the impact that these patrons had...

  3. Marie Stuart, Lettres de la dernière heure. Contribution à l’étude d’un « sous-genre » oublié

    Marie Stuart, Lettres de la dernière heure. Contribution à l’étude d’un « sous-genre » oublié

    Contributor(s): Colette H. Winn, Hélène Camille Martin

    Cet article se propose d’examiner les lettres de la dernière heure écrites par Marie Stuart lors de sa captivité à Fotheringay avant sa mort le 8 février 1587. Adressées à ses contemporains, ces lettres permettent à Marie Stuart de contrôler jusqu’au bout l’image qui restera d’elle-même dans la...

  4. “Till I in hand her yet halfe trembling tooke”: Doctrines of Justification in Edmund Spenser’s Amoretti

    “Till I in hand her yet halfe trembling tooke”: Doctrines of Justification in Edmund Spenser’s Amoretti

    Contributor(s): Lauren Shufran

    This article claims there is an underlying soteriological conceit in Spenser’s Amoretti (1595) concerning the roles that “works” and “grace” play in the beloved’s requital: roles with theological analogues in justification, the means by which people were declared righteous before God. I show how...

  5. The “Public” of Richard Hooker’s Book 7 of the Laws: Stitching Together the Unjoined

    The “Public” of Richard Hooker’s Book 7 of the Laws: Stitching Together the Unjoined

    Contributor(s): Rudolph P. Almasy

    This article begins with the notion that a text can create and influence a “public,” that is, a group of individuals with common values and aspirations. Richard Hooker’s Of the Laws of Ecclesiastical Polity (1594–1662) is the focus here; specifically, this article shows how book 7, which defends...

  6. The Classical Commentary in Renaissance France: Bilingual, Mixed-Language, and Translated Editions

    The Classical Commentary in Renaissance France: Bilingual, Mixed-Language, and Translated Editions

    Contributor(s): Paul White

    This article analyzes the dynamic interactions of Latin and the vernacular in commentary editions of the Latin classics printed in France before 1600, addressing questions of readership, intended uses, and actual uses. Beginning with the output of Antoine Vérard, it explores the different...

  7. Reading Ritual: Biblical Hermeneutics and the Liturgical “Text” in Pre-Reformation England

    Reading Ritual: Biblical Hermeneutics and the Liturgical “Text” in Pre-Reformation England

    Contributor(s): Matthew J. Rinkevich

    This article argues that orthodox English writers during the pre-Reformation period conceptualized the liturgy as a type of biblical text interpreted with traditional exegetical tools, especially allegoresis. In particular, it focuses upon three devotional works produced during the first several...

  8. Sion and Elizium: National Identity, Religion, and Allegiance in Anthony Copley’s A Fig for Fortune

    Sion and Elizium: National Identity, Religion, and Allegiance in Anthony Copley’s A Fig for Fortune

    Contributor(s): Lucy Underwood

    This article uses Anthony Copley’s poem A Fig for Fortune (1596) to examine Elizabethan constructions of national identity. Acknowledging that religious and national identities were symbiotic in the Reformation era, it argues that the interdependency of Protestant and Catholic narratives of...

  9. What’s Wrong with Mis-devotion? A John Donne Enigma

    What’s Wrong with Mis-devotion? A John Donne Enigma

    Contributor(s): Ronald Huebert

    The nominal purpose of this article is to develop a cogent and persuasive interpretation of the term “mis-devotion,” a coinage John Donne uses twice in his poems: once near the end of The Second Anniversary and once in the second stanza of “The Relic.” I also cite the two known examples of this...

  10. Friction in the Archives: Storytelling in Sixteenth-Century Anabaptism

    Friction in the Archives: Storytelling in Sixteenth-Century Anabaptism

    Contributor(s): Erin Lambert

    The writings of martyrs have been at the centre of the history of Reformation-era Anabaptism since the sixteenth century itself, and scholars have long used them as sources of information about a persecuted and typically clandestine community. Based on a rare confluence in the surviving source...

  11. Introduction: “Utopia for 500 Years”

    Introduction: “Utopia for 500 Years”

    Contributor(s): Brent Nelson

  12. Utopia’s Moorish Inspiration: Thomas More’s Reading of Ibn Ṭufayl

    Utopia’s Moorish Inspiration: Thomas More’s Reading of Ibn Ṭufayl

    Contributor(s): Daniel Regnier

    A promising but neglected precedent for Thomas More’s Utopia is to be found in Ibn Ṭufayl’s Ibn Ḥayy Yaqẓān. This twelfth-century Andalusian philosophical novel describing the self-education and enlightenment of a feral child on an island, while certainly a precedent for the European...

  13. “Real versus ideal”: Utopia and the Early Modern Satirical Tradition

    “Real versus ideal”: Utopia and the Early Modern Satirical Tradition

    Contributor(s): Bernd Renner

    Building on previous studies of satire in Thomas More’s Utopia, this article aims at situating More’s founding text of utopian literature more firmly in the early modern satirical tradition, a tradition that gradually dissociated itself from its conventional generic definition informed by...

  14. Utopia and the Enclosing of Dramatic Landscapes

    Utopia and the Enclosing of Dramatic Landscapes

    Contributor(s): Régis Augustus Bars Closel

    This article focuses on the enclosing of the land as depicted in More’s Utopia (1516); the anonymous domestic tragedy, Arden of Faversham (1589); and the Carolinian play, A Jovial Crew (1641), by Richard Brome. It discusses how the relationship between the multiple resulting changes in...

  15. “[T]he fault of the man and not the poet”: Sidney’s Troubled Double Vision of Thomas More’s Utopia

    “[T]he fault of the man and not the poet”: Sidney’s Troubled Double Vision of Thomas More’s Utopia

    Contributor(s): Daniel T. Lochman

    In the Defence of Poesy, Philip Sidney refers puzzlingly to Thomas More and Utopia. He praises the “way” this work presents a commonwealth yet faults the man who produced it. Sidney might have followed religious writers who condemned More’s Catholicism and his use of poetic fictions rather than...

  16. Minor if Entertaining Post-Utopian Nowheres

    Minor if Entertaining Post-Utopian Nowheres

    Contributor(s): Anne Lake Prescott

    Not all utopias are truly imaginative, yet minor ones can be instructive or amusing. This article explores the hierarchy-obsessed French Antangil as well as some minor English ones so as to deduce further what so entranced so many about Nowhere’s possibilities. None is as radical as...

  17. All That Glitters: Devaluing the Gold Standard in the Utopias of Thomas More, Francis Bacon, and Margaret Cavendish

    All That Glitters: Devaluing the Gold Standard in the Utopias of Thomas More, Francis Bacon, and Margaret Cavendish

    Contributor(s): Catherine Gimelli Martin

    Francis Bacon’s and Margaret Cavendish’s ideal societies unexpectedly follow Thomas More’s Utopia in eliminating the exchange value of gold and replacing it with a knowledge economy. Bacon’s New Atlantis (1627) and Cavendish’s Blazing World (1666) similarly pursue new “light” and shun selfish...

  18. More, Huxley, Eggers, and the Utopian/Dystopian Tradition

    More, Huxley, Eggers, and the Utopian/Dystopian Tradition

    Contributor(s): Peter C. Herman

    From its inception in Plato’s Republic and revival in Thomas More’s Utopia, the concept of a perfect (or as More originally put it in a qualification often lost, “best”) form of a republic has been dogged by the spectres of hypocrisy, contradiction, and authoritarianism. However, the matter...

  19. Editor’s Note

    Editor’s Note

    Contributor(s): William R. Bowen

  20. “My Own Worst Enemy”: Translating Hamartia in Sixteenth-Century Italy

    “My Own Worst Enemy”: Translating Hamartia in Sixteenth-Century Italy

    Contributor(s): Bryan Brazeau

    This article considers the ways in which Aristotle’s notion of hamartia (ἁμαρτία) in the Poetics—the tragic fault that leads to the protagonist’s downfall—was rendered in sixteenth-century translations and commentaries produced in Italy. While early Latin translations and commentaries initially...