Defining the Genre of the Letter: Juan Luis Vives' De Conscribendis Epistolis

Contributor(s): Judith Rice Henderson

Études seiziémistes

Contributor(s): Bodo L. O. Richter

Moll Cutpurse as Hermaphrodite in Dekker and Middleton's The Roaring Girl

Contributor(s): Patrick Cheney

Foreigners in Quattrocento Rome

Contributor(s): Egmont Lee

Thomas More's Richard III: Moral Narration and Humanist Method

Contributor(s): Patrick Grant

Les tragédies de l'assassinat et l’Hector d'Antoine de Montchrestien

Contributor(s): Antoine Soare

Ben Jonson's Politics

Contributor(s): Joseph John Kelly

Economic Depression and the Arts in the Fifteenth-Century Low Countries

Contributor(s): John H. Munro

Les Intelligences célestes dans la poésie scientifique du xvième siècle

Contributor(s): James Dauphiné

Source and Intent in Middleton's Sir Robert Sherley

Contributor(s): G. B. Shand

Catholic and Protestant Widows in The Duchess of Malfi

Contributor(s): Margaret Lael Mikesell

Erasmus’ Colloquia: Dramatic Elements Real and Metaphorical

Contributor(s): Michele Margetts

Le Jeu des simulacres ... ou la rhetorique consciente: Du Bellay-Ronsard

Contributor(s): Jean-Claude Moisan

Vying with Vision: An Aspect of Envy in The Faerie Queene

Contributor(s): Ronald B. Bond

Alexander Brome and the Search for the "Safe Estate"

Contributor(s): Raymond A. Anselment

The Viol da Gamba as a Sexual Metaphor in Elizabethan Music and literature

Contributor(s): Gustav Ungerer

Pratique de la citation dans les Essais de Montaigne

Contributor(s): André Berthiaume

The Role of Personal Correspondence in the Exchange of Scientific Information in Early Modern France

Contributor(s): J. L. Pearl

Versions by Thomas, Lord Fairfax of Some Poems by Mantuan and Other Italian Neo-Latin Writers

Contributor(s): Lee Piepho

Musique et pouvoir à l'aube de la Renaissance: le metier du musicien à la cour des grand Ducs Valois de Bourgogne

Contributor(s): Ginette Cartier